Through this she mentions the two ways audiences look at films:
- Voyeuristically
- Fetishistically
Mulvey's theory states also, that the voyeurism involves turning the figure on screen into a "fetish" so that they become increasingly beautiful but more objectified.
Fetishism leads to a cult of movie stars, who are celebrated for their looks in favour for their acting skills and they are considered as an object -Marilyn Monroe, of which, being a good example of this. Because of "The Male Gaze", women and men now seem to have expected roles within movies
The theory states that cinema audiences watch a film without being wanted by the characters on screen, and we usually watch them in a darkened cinema so the characters do not know that they're being watched. Therefore, we are almost like voyeurs watching the people on screen. This can lead to two effects:
- Objectivisim - Objectifying female characters in relation to "The Male Gaze".
- Narcissistic Identification - having an ideal image on screen, meaning that we want to be like the characters in the film.
The Typical Roles of Men and Women in Conventional Films
Most Hollywood films have a male protagonist, a.k.a. the lead role, in the narrative and target a male audience because of this. The male characters are often not very attractive yet have the main roles and are the most active in the film. On the other hand, actresses in films normally support the lead roles (the main female actress being the "Bond Girl" in James Bond films are a good example of this) and these actresses are almost always very attractive and glamorous.